Previously, on ArtInPinkerton Blog (dun dun!)

Pixels so sharp they will cut you

For anyone who reads this blog (all 3 of you), its no secret that I tend to favor a more cartoonish and abstract style when editing game artwork. With the Arena Depixelization Project (ADP), this was mostly a necessity since I was looking at simplifying images due to the extremely low resolution and terrible graininess (grain E ness?).

Textures so muddy, they have to take their shoes before coming inside

However, with Morrowind, it was more of a desire to undrab (not even a real word I’m pretty sure) it some. The individuals textures were unimpressive but all together they worked (for back in 120 A.D. when it was created). With my early experiments, I used the cartoon method to add interest to the individual textures but it was crude.

 

 

“You know my name is Simon and the things I draw come true”

From here, I had a detour with a little experiment. For all the games I work on, I have a soft spot. Darkstone was one such game. It’s low resolution blurry textures begged for me to edit them. It was a challenge just figuring out how to access them and understand the file structure: there are odd duplicates, art sheets (many separate art assets on one texture), and strange encryption. I wanted to create a chalk-like art style. It was a side diversion and never meant to be a full project though. I really liked the results though.

STOP CHANGING THE DAMN FORMAT ALREADY!

I had very little experience back then and it was before Borderlands captured what I desired so well (ICE CREAM…wait no…CELL SHADING!). So I switched to working on Minecraft for my sons. I finished not only the main game but several of the most popular modification at the time. However, Mohjang (the makers of Minecraft) changed the texture format and naming several times over the duration I was working on it; breaking my texture pack (Grrrrr!) more than once. I never released it as by the time they finalized it, they had added so much more that I hadn’t done.  However, it gave me time to work on learning the graphics software (GIMP at the time…not the one from Pulp Fiction).

 

But the name almost begged it!

I’m not sure how I started working on it, but the next project I worked was Torchlight. I think I had just wanted to see if I could do it. During this phase, I dedicated quite some time experimenting with different styles and the software. Eventually, it turned into a full blown project which I called “Toonlight”…I am so clever…so damn clever. Looking back, I think I lamented how little the backgrounds “popped” and though I could smooth and outline them to make them defined. My biggest failing on it (beside the wee-bit of amateurish work…cough cough) was that I was so focused on the individual textures, that I didn’t account for the whole picture and scene. So much detailed “polluted” the screen. This is relevant for when I get to my newest endeavor. Toonlight was never finished (I had illusions it might be). I didn’t like the results on a game level and didn’t want to start over. The creatures looked nice though.

 

Nailed it….

Then came Borderlands. It perfectly encapsulated what I was going for. I loved the art style and now I had a inspiration to study and evolve my style. It was here I learned about rim lighting (making dark lines pop with a lighter line near it) and ways to make larger blank areas look less dull (hint: random lines and squiggles).  I didn’t try it for some time as I was working on finalizing ADP (which is….sigh…not done yet). When I finally took a break, I experimented with Morrowind again…this time on the faces; trying to capture that Borderlands style. Ultimately, I realized that my style was Borderlands-inspired but had my flavor added.

Brown…so much grainy awful pixel-y brown

I finally had enough experience to move forward. I had a few other side projects not “cartoon” style related (such as the FATE mod..so I can have all that crunchy 4K resolution…mmmmm tasty). Moving on, I had just the project in mind to hone those skills even further and put them to the test. Eventually, I’ll return to Morrowind and complete a full artwork overhaul once I’m done.

By then, I should have most of my style and workflow on lock (see I’m cool…I said “on lock”…like a boss). More coming next post……. (oohhhhhh a teaser…what can it be…).

Martin

 

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Experiments in Art Style

Art Concepts

Since I have limited time to focus on leisurely activities, a lot of what I do with game art falls more into the “Proof of Concept” category. I have an idea about what would be a interesting visual change for me and I merely want to see it in game. For example, for the Darkstone project, I was going for the look of dry erase crayons on a dark dry erase board.

Exit to Forest

Exit to Forest

For Morrowind, I simulated a cell shader (cartoon) effect with build in black outlines. Note: when I first made those textures, Borderlands hadn’t been released. However, I had already realized that it looked better to have the solid colors have some kind of texture behind them for visual interest.

MGE Screenshot 2

Fast forward to Today

I was messing around with my new art tablet last month and decided to see if I could replicate the style of Borderlands in Morrowind, at least as a proof of concept. I did some research for tips on the best way to replicate the effect and found a youtube video that explained a method that a got very close to the games style.

I chose to experiment on the vanilla Morrowind face textures. In general, they are awful and look very ugly in game. My logic being that adding the “borderlands” style texturing might add enough interest to make them worthy of keeping versus using model replacer mod (may mods replace the heads). The original textures used for faces were very low resolution, inaccurate (sloppily made) and just generals ugly as all get out.

Ugly Vanilla

Some one beat him with the Vanilla Game ugly stick

Morrowlands?

I started by doing the heads in the order of the characters you run into when you start a new game. I redid 5 faces. It was surprisingly easier than I thought.

Jiub Vanilla Base to Borderland

I’ll detail it out next time but for a teaser here’s what “vanilla” jiub looked like when I was done. I’ll explain the irregularities next time.

– Martin

 

From Darkstone to Arena

After getting the art files “extracted”, I expermented some with changing them using GIMP. For Darkstone, the art files (particularly for the ground and buildings) were a single picture composed of many smaller pictures.

The game engine would know that if it wanted image X it would have to look at a specific piece of art file Z. This meant when I wanted to change one art asset, I could edit 16 different ones at a time. To test it out, I would just draw a letter or number in a huge obvious way on top of the exisiting art for each distinct section. Then when I loaded the game and look for where that letter or number appeared in the game.

The problem I ran into with Darkstone was the changes didn’t take at first. I had to troubleshoot why. It turned out to be a issue with how the file was saved.  Darkstone required textures to be saved without any file compression. I simply had to resave the file “uncompressed” and it worked. With Darkstone, at that time I didn’t have any clear direction for what I wanted to do. It was more of a trial run to see how it all worked. Experiment done, my attention drifted away from Darkstone. It was more an issue of time since I didn’t have much so I would work on this a little here and there when I felt like it. Though later I would come back to Darkstone with a more focused purpose.