Previously, on ArtInPinkerton Blog (dun dun!)

Pixels so sharp they will cut you

For anyone who reads this blog (all 3 of you), its no secret that I tend to favor a more cartoonish and abstract style when editing game artwork. With the Arena Depixelization Project (ADP), this was mostly a necessity since I was looking at simplifying images due to the extremely low resolution and terrible graininess (grain E ness?).

Textures so muddy, they have to take their shoes before coming inside

However, with Morrowind, it was more of a desire to undrab (not even a real word I’m pretty sure) it some. The individuals textures were unimpressive but all together they worked (for back in 120 A.D. when it was created). With my early experiments, I used the cartoon method to add interest to the individual textures but it was crude.

 

 

“You know my name is Simon and the things I draw come true”

From here, I had a detour with a little experiment. For all the games I work on, I have a soft spot. Darkstone was one such game. It’s low resolution blurry textures begged for me to edit them. It was a challenge just figuring out how to access them and understand the file structure: there are odd duplicates, art sheets (many separate art assets on one texture), and strange encryption. I wanted to create a chalk-like art style. It was a side diversion and never meant to be a full project though. I really liked the results though.

STOP CHANGING THE DAMN FORMAT ALREADY!

I had very little experience back then and it was before Borderlands captured what I desired so well (ICE CREAM…wait no…CELL SHADING!). So I switched to working on Minecraft for my sons. I finished not only the main game but several of the most popular modification at the time. However, Mohjang (the makers of Minecraft) changed the texture format and naming several times over the duration I was working on it; breaking my texture pack (Grrrrr!) more than once. I never released it as by the time they finalized it, they had added so much more that I hadn’t done.  However, it gave me time to work on learning the graphics software (GIMP at the time…not the one from Pulp Fiction).

 

But the name almost begged it!

I’m not sure how I started working on it, but the next project I worked was Torchlight. I think I had just wanted to see if I could do it. During this phase, I dedicated quite some time experimenting with different styles and the software. Eventually, it turned into a full blown project which I called “Toonlight”…I am so clever…so damn clever. Looking back, I think I lamented how little the backgrounds “popped” and though I could smooth and outline them to make them defined. My biggest failing on it (beside the wee-bit of amateurish work…cough cough) was that I was so focused on the individual textures, that I didn’t account for the whole picture and scene. So much detailed “polluted” the screen. This is relevant for when I get to my newest endeavor. Toonlight was never finished (I had illusions it might be). I didn’t like the results on a game level and didn’t want to start over. The creatures looked nice though.

 

Nailed it….

Then came Borderlands. It perfectly encapsulated what I was going for. I loved the art style and now I had a inspiration to study and evolve my style. It was here I learned about rim lighting (making dark lines pop with a lighter line near it) and ways to make larger blank areas look less dull (hint: random lines and squiggles).  I didn’t try it for some time as I was working on finalizing ADP (which is….sigh…not done yet). When I finally took a break, I experimented with Morrowind again…this time on the faces; trying to capture that Borderlands style. Ultimately, I realized that my style was Borderlands-inspired but had my flavor added.

Brown…so much grainy awful pixel-y brown

I finally had enough experience to move forward. I had a few other side projects not “cartoon” style related (such as the FATE mod..so I can have all that crunchy 4K resolution…mmmmm tasty). Moving on, I had just the project in mind to hone those skills even further and put them to the test. Eventually, I’ll return to Morrowind and complete a full artwork overhaul once I’m done.

By then, I should have most of my style and workflow on lock (see I’m cool…I said “on lock”…like a boss). More coming next post……. (oohhhhhh a teaser…what can it be…).

Martin

 

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Doors and Floors

 

Get it together man

Now that I have finished the “walls and halls”, it’s time to renovate the doors and remaining floors. I have finished almost all the ground textures though (well a few could used tweaked too). In the past, I just worked directly in the directory where I extracted the files and reinserted them into the BSA from there. However since there are so many IMG files (949 to be exact) and that isn’t the cleanest way to work from a project management perspective, I pulled all the door files out to a separate folder/workspace and created a completed folder to use for importing files back to the BSA.

Tavern with old door art

Must have ran out of paint

Doors, Doors, Everywhere there are Doors

There are 112 door files not including non-doors that would serve as potential transition points (e.g. ladder up/down, stairs, etc..there are about 12 of those). These IMG files come in two variety, framed and whole texture.

I’ve been framed

The framed doors are “framed” with the texture of the building to which they belong (e.g. the Mage Guild door has a frame art that matches the building).  To do these, I’ll just copy and paste a wall from the matching set file and layer it under the door so it’ll be a perfect fit with the rest of the building. All exteriors and some interior doors are framed doors, pretty much any door that transitions between outside and inside.

 

That’s no small wall…it’s a door!

The other type of door is the whole texture door. I have done a few of these previously as you can see in the screenshot. These doors belong to all the interior rooms and are the ones that swing open so you can enter a room. Although they are relatively simple (as they repeat the same textures over and over for different files), I’m hoping to add a little more variety to them.

 

First things first though, I will test to see if each IMG file is used in game (i’ll probably do them in batches). I have already found several that aren’t. I will likely still redo them just in case. Worst case scenario, if I ever can get anyone to figure out how to decipher the MTF files, I will use them to make new dungeons and buildings.

– Martin

,

Do not fear it is “I”

Letters count?

Awhile back I had posted that I had learned that I could update the font files. I never liked the font in Arena as it was too flowery for readability at such a low resolution. Each letter in the fonts was ranged from 3×3 to 8×8 pixels in size. They were all really just super small pictures.

A little rough but it works

A little rough but it works

If I build it, I’ll build it thrice

I wasn’t satisfied with my previous attempts and decided to quickly rebuild them again. This time, I tested each one out in game to see how well the effect worked. Surprisingly, this took more time than I imagined and I ended up completely revamping each font file 3-4 times till I was happy with them. In game testing allowed me to see where I missed or added a space, what characters didn’t look right, and generally if the font looked ok when playing. As you can see in the picture, the editor lets you click each pixel, one by one. While each character font file can have the spacing and padding adjusted using the slider (thus bigger or small amount of horizontal pixels), the height of the characters was fixed for each font file. Although it would be relatively easy to just rename one of the other font files that have a bigger height setting, I think that might play havok on how the game displays text and didn’t really see the need for it.

Through some in for spares?

To determine which font affected which portion of the game, I filled in a different set of characters in each font file as a solid box. Then I just looked to see which font was being used in each portion of the game containing text. Like with the art (and probably sound files), I found that not all fonts were used. Of the 10 font files included with the game, I have only been able to find 4 of them in game. Or at best, the others are used in some obscure corner of the game.

NOTE: The screenshots were taken with a vanilla version of Arena since this mod will be released as a separate mod from ADP.

UPDATE: I released TES Arena ReFonted on the nexus. You can get it here.

– Martin

Overdue request but the Mailman is IN

Introfix

After much wait and anticipation (more like I completely forgot to release it), TES Arena IntroFix is complete and can be downloaded here:

http://www.nexusmods.com/tesarena/mods/4/?

In this mod, I fixed three slides from the intro when you select new game.

3-Card monte

I had completed these some time ago but forgot to release them. Unfortunately, my file managment has been less than stellar and it took awhile to find them again. When I did, I noticed that there were still a couple of errors that needed fixing. So I fixed them and now no one need ever suffer under Uriel Septim IV’s oppressive need to steal the limelight from his great grandson.

Uriel is an odd family name

INTRO01t

Uriel Septim VII is rightfully restored.

Once I had the textures in PNG format (a common image format), fixing the slides was a matter of several well placed cut and pasting.

However, getting them to a PNG format was more of a challenge. I had to use Arena Toolbox by Dysperia. That tool is a fantastic counterpart to ArenaModdingSuite. One of it’s unique functions is that it can convert the compressed images into PNG. Before this tool, no one knew how to uncompress those images (there are quite a few).

One hidden feature of the program is that it allows you to import the palette file (where it determines color) into the image itself versus being external to the file in the root directory. To make it work though, you have to trick the program into thinking it’s a new image. Simply adding a letter in the filename sufficed. The Toolbox can also convert back to the native IMG file.

Last thing left was to test it. I dropped my 3 new IMG Intro slides into the root folder of Arena, booted it up, and IT WORKED. Awesome. Sometimes it’s the little wins that keep you going 😉

  • Martin

 

Is that 80’s fashion?

The straight and narrow

Some days I can blaze through images getting 5 or 6 done in a sitting, then other days just part of an image can take a couple days. When it comes to the Arena Depixelization Project (ADP), the easier ones are just patterns (especially ones with straight lines horizontal or vertical). The low pixel count doesn’t really muck up the design too much since there is no need for a “fine detailed” line in those cases.

It kind of looks like….

However, once lines start curving or the image becomes complex, the time required is increased, sometimes dramatically. It’s hard to get non-angular shapes to look good when you only have a 64×64 grid to work with. I find that it takes multiple revisions to get it looking just right. To make matters worse, the source material for ADP contains many pictures that are either so pixelated as to be barely discernible or they generally don’t look very good as you clean them up (such as dress thing for the “angel” in this picture).

WALLA Untouched

Click to enlarge

 

Close enough for horseshoes and hand grenades

In that image, I had to make some artistic decisions on how “accurate” to the source material I would be. The image is generally too complex to leave unaltered for my “Depixelization” theme. At first, I didn’t even know how to tackle it. I completed all the background wall first and left the “Angel” and the “alcove” till last. The good thing about that is that it let me establish the colors for the image. Eventually, I had to do this one as I only have a few SET files left. I decided to break it up and focus on individual pieces of the angel. I really wished I had made a timelapse of this one to show how much back and forth I did on it.

Mr. Potato Head

I started with the more clearly defined shapes, to include the arms, head, and the key. Those came into place with minimal fuss. Then, I tackled the wings. It took me awhile as the initial version (closer to the source) just didn’t look very good. After a couple of iterations, I ultimately decide to make the wings bigger as if they were more full body sized. Next, I attempted to do the feet. However, they just did not look good, especially when I started working on the weird “billowed” dress/robe. I decided to put the feet off and do the clothing. I touched up the sleeves to improve the “hanging off the arms” appearance. I made my first rendition of the lower part of the robe very close the source version. However, it looked terrible because the source version is kind of ridiculous looking, as if someone tucked an oversized shirt into a skirt.  I played with it a little before I decided to just alter the design. I revised it to look more like a regular robe. Unfortunately, the feet still looked awkward, so I removed them and lengthened and curved the robe as if they were hidden by it and it was floating.

– Martin

ADP WallA

Click to enlarge

 

Picking back up the brush

Who’s down with ADP…yeah you know me

After a substantial hiatus for real life, I’m back. My schedule has a lot more free time in it now and I should be able to make substantial progress on the Arena mod in the next few weeks. As of now, I am just 2 or 3 SET files away from reaching ALPHA! Once that is complete, I will be setting up a MODdb page and probably trying to host it on the Nexus mod site.

The project will stay ALPHA until all door and ground files are done. I do hope to have all the font files and interface done too, but that is more of a nicety (most are already done though). Once ALPHA 2 is out that I will be going back and reevaluating each texture. I started this so long ago and have come quite a ways that some of them are not to my standard or vision anymore. As it is already, I occasionally retool one here and there but I plan to do a comprehensive review.

Taking the plunge

I finally gave in and purchased Photoshop (well subscribed really). I don’t anticipate being very proficient in it for awhile since I have been using GIMP for years and it’s so different. For the Arena project, this isn’t really a problem. It doesn’t require fancy functions. I am literally coloring individual pixels from a 256 palette. The biggest obstacle their is my creativity and not the tools.

Some recent work below (really like how the first one turned out)…

– Martin

WALLH MINEA MINEE WALLG

It’s getting hot in here AGAIN?

Warm to the touch

NOTE: This kind of a rehash of a previous post from a different angle (slightly) that walks through the process more “visually”.

One of the texture SET files edited recently for ADP was a 4 texture wall set that resembled a wall with lava or fire spots. I had already settle on using a mostly flat wall color to more dramatically contrast the flames/lava parts of the textures. But in order to maintain a uniform look to the fire, the image needed to be built in layers. A good first step is to make a duplicate layer of the original before making any changes, especially major ones. That way, the duplicate can use as a reference when editing the image.

MINEB1 (original)

  • Layers in GIMP (and I’m sure Photoshop) allow you to create/edit different pieces of a picture individually but still be able to see them as a whole…like may layers of tracing paper stacked together but each having a different element drawn on it.

Cut it out

In this instance, the first element designed was the “wall” layer. Using the Erase function, all spots containing a decent amount of fire were erased.  In GIMP, the eraser needs to be set to “hard edge” because of the technical limitations of the image format, it can’t deviate form the original palette or be partially translucent. Later on when the “fire” layer was created, it would be placed underneath this layer so that it show through only the holes.

MINEB1 (foreground)

Sticking to colors in the image, one was chosen as the new wall color. Before mass painting the “wall” (usually just by increasing the pencil/brush size to larger than the image), the “lock” transparency option had to be enabled to prevent the cutout holes from being filled in. Lastly, another complementary color was used to border the cutout sections and add a smidge of depth and interest.

Heating it up

Next, another layer was created for the “fire”. The plan was to fill the whole layer with the fire effect. If the “wall” layers transparent parts are changed (holes made bigger or moved), it wouldn’t need any adjustments. Also, it’s just easier that way. The fire is created by using alternating gradients of yellow to red and then back. This is repeated for the whole image.

MINEB1 (fire background)

Lastly, the final step is to “merge” the two layers together so that they show the wall but with spots of fire. In GIMP, you can right click the “wall” layer and just select “merge down”.

MINEB1

This technique is very similar to the one used on another firery wall that I completed months ago. Additionally, I used it for the lava in my Minecraft texture pack.

MINEA1

It’s fairly simple but still creates that fire/lave effect I like despite the limited palette.

– Martin